Book About Yellow Orange Purple and Blue Horses
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Now all that being said, I really do oh so much appreciate the additional information about Eric Carle's childhood in Nazi era Germany at the back of
The Artist Who Painted a Blue Horse(wonderful and informative, but also bery much thought-provoking). And although this is not mentioned in the author's note itself, the fact that Eric's art teacher, Herr Krauss, secretly showed him Expressionist art, and mentioned to him not only that the Nazis had no appreciation for art, but that they were and I quote charlatans, that was both incredibly brave and extremely risky (for the Nazis generally much relied on rumor and innuendo, and if Eric had either intentionally or even just unintentionally mentioned his talk with the art teacher, and the authorities had somehow gotten wind of this, Herr Krauss could easily have faced very, very serious and perhaps even potentially fatal, lethal consequences).But sadly, while the biographical information regarding Franz Marc (from the author's note of
The Artist Who Painted a Blue Horse) is basically and generally factually adequate, one important and supremely tragic aspect of Franz Marc's life has unfortunately not been mentioned. For like so many European Expressionists (both writers and artists), Franz Marc originally did very much welcome WWI as some sort of futuristic dream, a strong, willful current to clean and beautify a decrepit and decadent society. And like many European Expressionist authors and artists who had voluntarily enlisted in their respective armies, Franz Marc realised much too late that war was never a positive, but a philosophy, a way of thinking that begat only death and destruction (not only his own death int the trenches, but the deaths of thousands and thousands, among them many of the brightest and most promising literary and artistic lights of their age). And while I do realise and know that a detailed analysis of Expressionism and the attitude of the Expressionists towards WWI would most definitely have been above and beyond the scope of this book (it would simply have been too much information for a picture book, for most non academic literature, in fact), I still do strongly believe that the unfortunate and tragic truth that Franz Marc had originally and quite readily supported the Great War should have at least been mentioned in the author's note, as this is not only an important aspect of Franz Marc's biography, his very being, it also underlines not only the futility and destructive deadlines of war, but that war often can and does have the vile power to influence and negatively enchant. And finally, I would recommend the text, the main narrative body of Eric Carle's The Artist Who Painted a Blue Horse for younger children (ages two to maybe about five, and of course the illustrations, but they are recommended for anyone and everyone). The author's notes, however, would definitely be considerably more suitable for older children, as younger children would not only likely have trouble understanding, grasping the presented materials, the information might also be potentially frightening (such as the fact that Franz Marc was killed in WWI, or that during the Nazi era, art and artists not in line with the authorities were often deemed to be degenerate, and faced much condemnation, danger, even imprisonment and execution). ...more
Muy lindo!
Art: 4/5
Silly, colourful collages that'll have a toddler goggling happily enough.
Intent: 2/5
The stated argument in the book's dustcover is that it will encourage the wee ones to be more creative, draw outside the lines and go wild with colours, rather than mindles
Art: 4/5
Silly, colourful collages that'll have a toddler goggling happily enough.
Intent: 2/5
The stated argument in the book's dustcover is that it will encourage the wee ones to be more creative, draw outside the lines and go wild with colours, rather than mindlessly paint by numbers or strictly follow the art teacher's curriculum. While that is a nice sentiment, it sounds like emptying a bucket of water into the Atlantic to make the sea wet.
Any child young enough to enjoy this simplistic book is unlikely to be in school yet, and therefore not under the oppressive regime of the teacher from Pink Floyd's The Wall. Secondly and most importantly, at that age they're already drawing whatever they hell they like, as they like, whether that be blue grass, or their elder brother with devil horns and being run over by a steam roller.
Years later, when they come home upset because Mr Hobson told them they're rubbish at using perspective lines, reminding them of this book and that art is subjective will likely get you a response of 'I read that when I was two, Parental Figure. And how the hell is painting a turquoise hamster going to help me get into Uni for my architecture degree?'
At the end there's a brief biography of another person who drew a blue horse, the fauvist Franz Marc, and this bit is definitely not aimed at children, because no toddler will be able to pronounce 'expressionist movements' let alone understand its meaning.
Just to sound less cynical, Eric Carle did have a legitimate motive for this work, which stops me from seeing this as just an obnoxious gentrification of pre-school books and the literary version of selling 'Mozart for Babies' to make them smarter, simply by name dropping fine artists.
Carle lived through Nazi Germany, and was in school just in time for the Nazi's to ban 'degenerate art'. A teacher secretly showed him some of the ilicit works, shocking the young student as the teacher explained the looseness and colourful abandon of the paintings, lamenting that his charges could not express themselves likewise under the regime.
That's a good lesson, a fantastic lesson even. The power that a simple picture of a blue horse could remain emblazoned in someone's mind for decades, digging itself far deeper than the state propaganda. But in many ways I feel more annoyed because the book doesn't give that lesson the importance or weight it justly deserves. Maybe if there'd been a parent/teacher/bully laughing at or scolding the child for using an unusual palette choice, and they bravely ignore the criticism to remain happy with their work, that would have meant something, but as it stands the book seems not only rather flippant but unlikely to stand out in any child's mind for very long.
I'm aware I'm overthinking this, but something about this book rubbed me the wrong way. Perhaps I should calm myself by drawing Boris Johnson with brown hair and green skin. In a dock being pelted by pink wallpaper and rotten, purple watermelons.
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I was very disappointed in this book, I'm afraid. I really could not reconcile the "story" aspect with the biographical information in this book. I thought going into it that it was a biography of Carle, then I thought maybe it was supposed to be a biography of Franz Marc (whose art inspired Carle) after I read the biographical info at the back. I realize the
2 STARS for the story (mostly for the illustrations, actually) but an additional star for the biographical information provided at the end.I was very disappointed in this book, I'm afraid. I really could not reconcile the "story" aspect with the biographical information in this book. I thought going into it that it was a biography of Carle, then I thought maybe it was supposed to be a biography of Franz Marc (whose art inspired Carle) after I read the biographical info at the back. I realize the two are rather interrelated as Marc influenced Carle, but I just found the story itself very lackluster and it did not, to me, show any sort of storytelling magic or biographical usefulness. The illustrations were great and classic Carle, though; I think my favorite was the green lion :-)
I guess I would give the story itself is probably be best suited to younger children. The biographical information seemed a bit beyond the level of the rest of the book, and while I appreciated what was offered, I felt there could have been more. Or maybe I was just frustrated that more wasn't included in the story proper and geared toward that younger picture book audience. As it is, I think parents/educators need to bring a lot to the story. Even ignoring the history/biography aspect, I'm not sure Carle's message about how it is okay to paint something differently than how it appears in real life really came through. It just seemed to me a story about a boy who liked to paint animals.
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But, there's no story here at all. It just shows the artist saying he's painting this animal in that color and that animal in this color. That's the entire book.
The simplicity of the text and the big boldly colored illustrations make it a suitable book f
I wanted to love this even more than I did because I loved: the art, the author's note at the end about Franz Marc and the inclusion of one of that artist's blue horse paintings, and I love the message that using atypical colors can be fine art.But, there's no story here at all. It just shows the artist saying he's painting this animal in that color and that animal in this color. That's the entire book.
The simplicity of the text and the big boldly colored illustrations make it a suitable book for the very young, but it's children who are slightly older who will most appreciate the message here, yet the text may be too simple to hold their attention. I'm conflicted about this book.
3 ½ stars
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Chosen as one of our January selections over in The Picture-Book Club to which I belong, where our theme was "Books About Artists" (I'm running a little behind in my reading schedule), this visually striking title imparts an important message about the creative process - that we should follow our own course, and work from our own impressions, rather than trying to do things "properly," according to someone else's standard - without ever becoming didactic. A brief afterword gives more details about Marc Franz, but this isn't a biography, or even a non-fiction treatment of art, it's really more of a concept book about colors, animals, and the creative process, and can be read on a variety of levels. Toddlers, I imagine, will just be drawn to the bright colors and simple design, while slightly older children will also appreciate the ideas presented.
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So, text 2 stars. Artwork 5 stars.
I was afraid that our girls would think it was too young and babyish for them, but they really liked it too. And I loved the information about Franz Marc, who inspired the book as well as the expanded biographical information about the author and his art teacher's boldness and braver
We've loved Eric Carle's books and have read some of them (like The Very Hungry Caterpillar) so many times that our own board book copies have fallen apart. So when we saw this book, I just knew we had to borrow it.I was afraid that our girls would think it was too young and babyish for them, but they really liked it too. And I loved the information about Franz Marc, who inspired the book as well as the expanded biographical information about the author and his art teacher's boldness and bravery during the repressive Nazi regime.
This story was selected as one of the books for the January 2013 - Books about Artists discussion at the Picture-Book Club in the Children's Books Group here at Goodreads.
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Secondly, this is a bright, fun, and creative story about an artist painting uniquely colored animals. The donkey was our favorite.
Great book for young children.
First off, my son was so EXCITED when he saw the cover this book! He said: "Oh, oh, oh! I know this author! He writes the story and is the illustrator for all of the books I like!" I love that we both have had the opportunity to grow up with Eric Carle's works, let's hope he passes the books on to the next generation.Secondly, this is a bright, fun, and creative story about an artist painting uniquely colored animals. The donkey was our favorite.
Great book for young children.
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"I am an artist
and I paint…
a blue horse
and…
a red crocodile
and…"
I just can't think logically about an Eric Carle book. I love it. Unconditionally.
Eric Carle draws animals in crazy and unexpected colors, all beautiful and bright and magnificent. He is right when he says, "I am a good artist.""I am an artist
and I paint…
a blue horse
and…
a red crocodile
and…"
I just can't think logically about an Eric Carle book. I love it. Unconditionally.
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The bad - She learned the word fox and really likes foxes, but it doesn't sound like fox when she says it. Loudly. In public.
The good - the 20 month old LOVES this book. She learned all the animal names and noises by demanding to know what the animals in this book were saying.The bad - She learned the word fox and really likes foxes, but it doesn't sound like fox when she says it. Loudly. In public.
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This week it is colors.
This book was a great segway from last week (when we read The Very Hungry Caterpillar) into this one. It is another gem by Eric Carle. Such a simple book but such a lovely message. I remind the kids as we are reading it that the pictures are 'paintings' it is not about the absurd, and I conclude the story saying 'The author wants you to know that as an artist you can be as creative as you'd like". Last week our theme was favorite authors.
This week it is colors.
This book was a great segway from last week (when we read The Very Hungry Caterpillar) into this one. It is another gem by Eric Carle. Such a simple book but such a lovely message. I remind the kids as we are reading it that the pictures are 'paintings' it is not about the absurd, and I conclude the story saying 'The author wants you to know that as an artist you can be as creative as you'd like". ...more
This story is about an artist who paints beautiful animals in bright, vibrant colors not associated with those animals: such as a polka dot donkey, a green lion, a black polar bear, or a red crocodile. The main text is in a large bold font, and simple words
The Artist Who Painted a Blue Horse by Eric Carle pays tribute to Blue Rider (Blaue Reiter), created by painter Franz Marc (1880-1916), emulating Marc's creations of fancifully colored animals, making this a celebration of the artistic spirit.This story is about an artist who paints beautiful animals in bright, vibrant colors not associated with those animals: such as a polka dot donkey, a green lion, a black polar bear, or a red crocodile. The main text is in a large bold font, and simple words, making it easy to read.
At the end of the book there is a brief biography of painter Franz Marc. In an Artists note, Carle says; "When I was in high school, in WWII Germany, I was secretly shown works by the banned Expressionist painters by my teacher Herr Krauss. This was an experience that changed my life and had a deep impact on me." "My green lion, polka-dotted donkey and other animals painted in the 'wrong' colours were really born that day seventy years ago." Thus Carle creates his own illustrations based on Marc's work, to celebrate it.
Carle's illustrations were created with painted tissue-paper collage. The use of the bright colors not usually associated with the various animals celebrates creativity and the concept that there are no "wrong" colors to use.
Some readers will not appreciate the lack of a story. I wish there had been more examples of Franz Marc's paintings or sketches. Some reviewers on Goodreads seem to have reacted negatively towards the sentence: "I am a good artist." as if Carle is bragging, rather than trying to say that art can be creative or original, and that is good. Despite the lack of story, this can be useful in encouraging creativity in art.
For ages 2 to 7, teachers, animals, imagination, color, creativity, Franz Marc, Blue Rider (Blaue Reiter), and fans of Eric Carle.
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The painter was killed in World War I, during the Battle of Verdun. In the pocket of his uniform there was found a book with several drawings that the
Franz Marc was a representative figure of the German Expressionism. Because he liked to paint animals in unusual colours, sometimes unrealistic, the traditionalists often criticised his work; the Nazis considered him a degenerate artist. But Franz Marc trusted his artistic call and continued to paint animals, in a simple yet full of emotions style.The painter was killed in World War I, during the Battle of Verdun. In the pocket of his uniform there was found a book with several drawings that the artist was planning to make into paintings when the war was over.
Eric Carle, who spent his childhood under the Nazi regime in Germany, had little contact with modern art but one day his art teacher, who seems to have anticipated Carle's talent, secretly showed him some forbidden reproductions. Initially, young Carle was scared and shocked but eventually he understood their beauty and uniqueness.
The Artist Who Painted A Blue Horse is Carle's tribute to Franz Marc who had the courage to paint blue horses and yellow cows but also his advocacy for all children who are in fact little artists that represent the world in unpredictable, different colours.
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Source: https://www.goodreads.com/book/show/10585755-the-artist-who-painted-a-blue-horse
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